In its claims against Creative Commons (among others) ASCAP is showing that it does not understand how people make and engage with music now. ASCAP is doomed to failure. I like some of those old songs too, but what does that kind of artistic production have to do with the majority of musicmakers working today? Marilyn Bergman and ASSCAP are stuck in the windmills of their minds.
Creative Commons responds to ASCAP
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